This is a compilation from 2008 put together by the nice chaps in Project Mayhem.
The artwork tells the story. Click any of the images to download it.
It’s actually bordering on neglicence how long it’s taken me to put together this collection of Capital City records. To be honest I was hesitant to upload these because I hoped they’d get back together and record more of them. At the time of writing this it’s been 6 years since they called it quits, so here we go.
CAPITAL CITY – consisting of founding members Sam Scherr and Chris Pierucci along with recent inductees Jake Snell and Kate Mills – are Western Australia’s favourite exponents of punk-rock rhythm and blues.
For those who came in late to the whole Capital City story, this Australian band fronted by a diminutive Israeli-born, Washington-raised Western Australian ball of energy, started in Perth in 2000. Their first EP “The God-Botherin’ Years”, recorded by Dr Alien Smith at Bergerk Studios in 2002, received great support from public radio and demon sales from the public. This release saw them win the WAMi award for Most Popular WA Punk Act and tour nationally with Aussie garage rock legends The Stems on their re-union tour at the start of 2003. The second EP, “Capital City vs The Bangkok Lady Boys”, also a Bergerk! product, was another collection of tracks celebrating love, life, hate, death and Thai dudes who decide to the contrary. People reacted well to the new release, with Triple J adding lead track “The Working Class Is After Us” to high rotation. Along the ride the band has supported the likes of Boss Hog, The Datsuns, The Jon Spencer Blues Explosion, Buzzcocks, McLusky, Sons & Daughters and The Strokes plus ace Australian acts such as Beasts of Bourbon, Jet, The Drones, Spencer P Jones, Magic Dirt, Dallas Crane, The Meanies, Rocket Science, Sixfthick, The Tremors, Ground Components & You Am I.
Here is my collection of Capital City records. They did a couple other things I don’t have but will try to track down. I think they were a fucking amazing band and whilst I hate to use that age old cliche of “they should have been huge”, they should have. It seems Sam is now playing in ‘The Macho Men’.
Click each cover to grab the record.
Rupture was a hardcore punk band from Perth, Australia, that formed in the 1980’s and were active until around late 2001, when vocalist Gus Chamber died. During this time they released split EP’s with many bands including Brutal Truth,Dropdead, Spazz, Extortion and Antiseen as well as individual releases such as Righteous Fuck, and Sex Drugs and Rupture. The line up on their 1997 release Hate Makes The World Go Round is listed as Bass – Zombo, Drums – Dick Diamond, Guitar – Stumbles, Vocals – Gus Chamber.
This is my collection of Rupture stuff. There is plenty more. More than I’d probably ever be able to track down, or want to.
Rupture – Sex, Drugs and Rupture. 1995 on Yeah Mate! Records.
Rupture – Australia Day. 1997 on Yeah Mate! Records although its not listed on discogs. Physically, it looks like a cd single but has 10 songs on it.
Collection of out of print vinyl releases. CD comes in a 7″ sized booklet.
Tracks 1, 8, 9, 10, 16, 19 and 21 are taken from the Split 7″ with Slavestate
Tracks 2, 3, 4 and 14 are taken from the Split 7″ with Spazz
Tracks 5, 7, 12, 13 and 18 are taken from the Split 7″ with The Scroungers
Tracks 6 and 11 are taken from the “Gatecrash The Orgy” 6″
Tracks 15, 17, 20, 22, 24 and 25 to 30 are taken from the Rupture/Bristning Split 7″ (Bristning songs are 25-30, all songs were also released as the Rupture “The Cornelius Conspiracy” 7″)
Track 23 is taken from the “Regurgitation” Compilation 7″
Track 31 is taken from the Split 7″ Flexi with Mob 48
Track 32 is taken from the “Son of Bleeeaaaarghhhhh!” Compilation 7″
Tracks 33, 37 and 44 are taken from the “I Kill What I Eat” Compilation CD
Tracks 34, 35, 36, 38, 39, 40, 41, 42, 43 and 45 are taken from the Split 8″ with Dropdead
Tracks 46 to 55 are taken from the “Filthy Habit” 7″
Tracks 56 to 60 are taken from the Bristning “Svamp Dagar” 7″
This was a Collection of out of print vinyl releases. 530 copies made in total.
Tracks 1-9 taken from the “Righteousfuck” 7″
Track 10-24 taken from the “Baser Apes” 7″
Track 25 taken from the “Reproach” Compilation 7″
Tracks 26-29 taken from the Split 7″ with Senseless Apocalypse
Tracks 30-34 taken from the “Elektra Complex” 7″
Tracks 35, 37 and 38 taken from the Split 5″ with Masskontroll
Tracks 39-44 taken from the “Fuck You” 9″ Flexi
Tracks 48, 53-55 and 58-61 taken from the “Live” 7″
Tracks 50, 52 and 56 taken from the Split 7″ with Cheech & Chong
And heres a side project record from Gus Chamber and The Rape Apes called ’18 Satanic Banana Benders”
There is also a mountain of dodgy live footage on youtube if you’re that way inclined.
I stole this writeup from last.fm :
Effigy were an Australian three piece rock/synth band originally consisting of Peter Hardman, Jason Stacy and Annie Beckerling; bassist Beckerling quit the band during the early stages of recording second album “Century Collapsing”, and was replaced by Cobina Crawford. Originally from Perth WA, Hardman, the bands founder relocated the band to Victoria where they joined the Melbourne Rock scene. Of the two albums in total the band produced, they had limited success with “Century Collapsing” thanks to singles “Suspicion Bells” and “Caught”. Though Effigy effectively disbanded after that album, Hardman eventually formed a new four-piece, all-male band under the Effigy name. They have yet to release anything on CD.
I really liked the song ‘Lovers’. Quite enjoyed seeing them play live too and I always thought Jason Stacy was a great drummer. I seem to remember there being some tension between Hardman and Annie Beckerling. If the lyrics to ‘Lovers’ are anything to go by its pretty obviously why she left the band.
This is the cd single for Lovers.
And here is their 1997 self titled LP ‘Effigy’.
This is their 1998 LP ‘Century Collapsing‘.
I had been indecisive about putting these recordings up due to their recent (2007) reformation but have noticed that it is impossible to buy these records anywhere, their website has lapsed and all seems to be dormant with them again. On that note, I bring you the incredible CINEMA PRAGUE!
Borrowing from their Wikipedia entry :
|Past members||Rex Horan|
Initially formed as a four piece in 1986, when some of the members were still at high school, the band had little success to start with. Kailis went to South Perth Primary School, whilst Lowe and Horan went to Attadale Primary School. Horan went on to Perth Modern School participating in their music programme, whilst Lowe and Kailis attended Applecross Senior High School.
By early 1988, after some member and name shuffling, the three-piece band, Cinema Prague came into existence. In 1990 the band undertook their first tour of the eastern states of Australia. Their debut recording was a cassette-single with the songs “Mushroom Cloud” and “Walking Song”, released in November, 1991. It was followed much later by their debut album, Meldatype, which was recorded between 1992 and 1994 and released in March, 1995. The band’s next release was a five track EP, ¡Zasph! which was released in November, 1996. Cinema Prague’s third album, Nordensort, was released in May, 1998 although it was actually recorded in June/July 1995.
In 1997, after returning from Perth following their ‘Idiots Crusade’ tour of Europe and South Africa they recorded three tracks “We are the Moo Moo”, “The Curse of the Shiny Head” and “Bacon and Eggs Part Two” at Poons Head Studio. The band’s fourth album It’s Schnapster, although recorded in 1990, was released in December, 1998, whilst the band was in hiatus. Horan having headed to Britain, where he still performs as well as runs musical workshops for under-age offenders in prisons.
In 2007 they re-formed for a show with a new bassist Roy Martinez (Dave Mann Collective) and a plan was hatched to release the old recordings as part of a new album, Snakes Alive, the band’s first in over eight years.
The disc was something we just had. I didn’t think we would ever put it out. George would probably tell you we were always goona do it, but I can’t say that. It was a little frustrating because it was the best recording we have done and it actually captured the way we sound.
Snakes Alive was released on 30 January 2009.In an interview at the time, Kailis indicated that the band was planning to work on the new album.
We’ve actually still got enough material for another couple of albums – songs that were never recorded – there’s no shortage of material.
In support of the album’s release the band gave a number of performances in Perth and Melbourne in early 2009.
They have the remnants of a website here, but before it disappears into the ether here’s the bio from it :
The story so far…
“I reckon the North Beach riot, Christmas night 1993, was the wildest gig.” says Mutt guitarist Phil Nixon. ” Six hundred people a dude surfing on the roof, the riot squad, front page headlines around the country, even CNN world news coverage, filth…”Just one of the memorable moments in Mutt’s career so far. Six years on and still pumpin out their distinctive brand of hardcore/surf/punk/thrash tunes. Their loyal Perth following still pack local venues like the swanny, the Castle, and the Ozone Bar. “900 punters at club Atlantis, Scarborough, was the biggest crowd at a headline gig,” says bass player Damien Pearce. ” I remember Phil spewin because the door girl was charging three bucks instead of five. We lost eighteen-hundred dollars.”
They’ve supported heaps of Australian and overseas bands; played at the Big Day Out in 1996; toured Sydney and Melbourne twice; released a self titled CD. They’re about to release their second CD called “Gallows Apple” through Phantom Music on the Rocket Label. Six in ya face tracks that show the punkier side of the band. Two of the songs ( CMT and Wades Break) were composed by former lead guitarist, the late Aaron Franche. “This CD is dedicated to Aaron.” says the whole band.
The songs were recorded in Perth at Upper Room Studios. Damien Ward engineered and mixed the band live to DAT, no overdubs or funny stuff. What you get is a true representation of what the band sound like live. “Yeah it was a bit of a fluke getting Damien as our engineer.” says singer Wade O. “He’s mixed us live stacks of times, and always pulled a good sound. So we just said … make us sound, like we sound in the pub. And he did.”
Mick Watson from Phantom Music heard the CD and loved it. The band scored a deal on the Rocket Label and will release a follow up full length CD early next year, as well as an eastern states tour to promote it.
“They huff and they puff and they really do blow the house down.” said William (the toughest critic in Perth) Bowe, X-Press Magazine. Mutt have consistently had favourable press, except at a certain The Mark of Cain Support ( which we won’t go into). However they got more press than they ever thought possible, when a Christmas Night party held at Wade and Phil’s house in North Beach, got a little out of hand. The Riot squad were called in to give the press something to put on the news. (Christmas night is generally a quiet one for news). Anyway it made headlines around the country, then CNN picked it up some more, and beamed it around the world. Wade recalls, “we couldn’t even go out because every TV station had a camera pointed at the house.”
Mutt Have supported the following bands; All, Bad Brains, Babes in Toyland, The Mark of Cain, The Fireballs, The Meanies, Tumbleweed, Screamfeeder, Bodyjar, The Hard-ons, Celebrate Rifles, Painters and Dockers, Def FX, Cosmic Psychos, Front End Loader, Grinspoon, Exploding white mice, Psychotic Turnbuckles, Ricaine, Bigger than Jesus, Non intentional lifeform, plus the Perth leg of the 96 Big Day Out where they shared the stage with the Prodigy. To make your own Mutt you will need; Alec McGowan on Drums. Mark Middleton on Lead Guitar’ Wade O singing, Damien Pearce on bass, and Phil Nixon on guitar and bio writing. Pop that in the microwave and enjoy!!! Gallows Apple will be released in November so Check it out…..
Mutt were pretty much one of the most authentic examples of Australian pub/punk rock that Perth ever saw. Desert boots, Holden Station Wagons, Dreadlocks, Surfers, they ticked every box.
I remember hearing about them on Critical Mass on RTR when the guy from The Spicy Baby Tomatoes was presenting it. They played bloody everywhere and with everyone. I first saw them at a house in Scarborough when I was still in High School. I was working at Karrinyup Shopping Centre and was riding my bike home and heard someone playing drums, so I dumped my bike on the front lawn of the house it was coming from and just walked in the open front door and said hi. It turned out to be the drummer of Mutt. We exchanged pleasantries and he wasn’t bothered that a random 16 year old kid had wandered into his house and played me a bunch of Mutt songs. This cemented my decision to become a drummer.
That same year was when they held a Christmas night party at the infamous 107 West Coast Drive (the title of one of their albums). I had graduated high school that year and was there with most of my friends. Everyone climbed on the roof of the house. Mutt played in the front yard by memory. The Police came. The TV cameras came. We were all on the news. It was fucking amazing.
Must have seen them 100 times through the years from the infamous Sunday Sessions at The Castle Hotel in North Beach to the equally legendary Swanbourne Hotel alongside bands like The Externals and Storytime.
This is Mutts debut self titled LP from 1994.
And here is their LP entitled 107 West Coast Drive.
Snowman were a band originally from Perth, Western Australia. They relocated to London in 2008, and disbanded in 2011.
Their Wikipedia has a great deal of information about them.
Here’s two records from them.
Snowman was released on 23 September 2006 on Dot Dash Recordings to positive reviews. Singles, ‘Smoke & Mirrors’, ‘You Are A Casino’ and ‘Swimming With Sharks’ were all added to high rotation on Triple J. The album was a local music feature on community radio stations RTRfm in Perth and FBI in Sydney. They toured Australia extensively in the year that followed, playing the national Big Day Out tour, Meredith Music Festival, Laneway Festivals, and supported Liars, Wolf & Cub and The Drones on their respective national tours. Several headline tours soon followed with supports from (the then lesser known) The Temper Trap, and New Zealanders, Batrider.
“You Are A Casino” was released as a limited 7″ single in the UK on 25 June 2007 on the Passport Label, through Forte Distribution
Click the artwork to get yourself some download action.
The Horse, The Rat and The Swan is the second studio album for Perth band, Snowman. It was released on 24 May 2008 on Dot Dash Recordings. Snowman produced the album with Dave Parkin (The Panda Band, Red Jezebel) at Blackbird Studios in Perth, Western Australia. In an interview lead singer, Joe McKee, explains the reasoning behind the name of the album.
The Horse, the Rat and the Swan are three different characters and themes that reoccur in the album. The Horse represents the apocalypse, the Rat represents betrayal and corruption, and the Swan is the letting go of all of this, realising that one cannot be consumed by these dark thoughts constantly because there needs to be beauty and letting go of that.— Joe McKee 
McKee goes on to explain how the band went around creating the album.
I think we wanted to strip things to their rawest form, and to make raw form interesting we had to rely on the rhythms being interesting. There is a big focus on the rhythms. We were all just making a whole lot of noise. It took a while to be happy with it. I mean, it’s not something that we sit around listening to. It was more of a relief to get it finished because it consumed us for such a long time. It broke us. But I think I can speak for the whole band and say that we are very proud of it. The subject matter was directly related to the solitary environment that we wrote in. I think we focused on isolating ourselves even more than we had in the past. We decided that we needed the album to be far more focused and cohesive than the first. The solitude in turn took its toll on our mental state, which may be the reason for the apocalyptic and bleak nature of the album as all of our fears and paranoias were seeping out slowly.— Joe McKee
The first single to be lifted off the album was “We Are The Plague”.
This is a 1999 compilation from S.L.A.M, an organisation who put on a load of great shows around Perth in the 90’s and 00’s. I believe it was run by Steve from Atmosfear.
This one contains music from Wax Tadpole (the first thing we’ve had up from them bizarrely), Stoneface, Atmosfear, Thumb, Greenroom, F.U.L.L, Spyder Moe, Troutman, D’Karn and a whole load more great bands from the mid to late 90’s Perth scene. Some of them are making their first appearance on the site via this great compilation. Click the cover art to download it.
Pinched all this info from RTR. Grab their 2006 EP here.
In early 2000 grew another new band Showbag from Perth, Western Australia. Everyone was raving about them, throwing the next big thing tag in every conversation. There was something about that first experience watching Showbag back then that hit – they were fresh and nervous, the music simple and not overly tight. It was their songs – classic guitar pop hooks combined with an ear for unique melody that pricked your ears up. And, those songs simply ran around your head for days, you just couldn’t get rid of them.
Over the next year the band released their debut EP Playlunch and followed up soon after with Quicksand. With these releases came Australia wide recognition and it gave local fans a chance to return to those songs from the early shows. Showbag were still the kind of band that pop-lovers could not get enough of. With the EP’s putting in overtime on local radios and car stereos throughout Perth, listeners began to really embrace the depth in these tunes. It’s odd, the songs make you smile with their energy, girl/guy trading vocals and pop feel, but when you take the time to sit and listen – the sadness hits you like a steam train. Listening to How Much Would It Hurt literally feels like you have seen inside the band (or perhaps vice versa) and uncovered all of those sordid fears and insecurities we all try so hard to hide.
Just as the future looked rosy cracks began to appear. The band lost guitarist Jeff Baker who left sunny Perth for Melbourne and not long after Kelly Campbell (bass, vocals) departed. The band had however recorded 5 tracks for their anticipated debut album which caught the eye of San Francisco record label Zip Records, in particular the classic ballad Never Get There, which the label subsequently released as a single in October 2002.
Armed with new enthusiasm, foundation members vocalist and guitarist Glenn Musto and drummer Chris Havercroft have put together a new band consisting of local stalwarts Andrew Powell (Bucket, Jayco Brothers) on bass, Adem K (Turnstyle) on guitar and newcomer Jodie Bartlett (Josivac), the key ingredient to trade vocals with Glenn in that imitable Showbag sound. The now settled lineup generates a powerful, yet reflective, live show living up to the potential Showbag has has promised from the beginning.
In December to March 2003 Showbag recorded their superb debut album The Town We Loved In. Set in the fictitious Australian town Perish Union, it tells 14 tales about life, heartbreak, happiness and sadness – centred around broken relationships deteriorating with the town. It’s Showbag in their finest form yet, dishing out lashings of melody and contrasts coupled with a bunch of lines that you wish you wrote in a letter to your first girlfriend.
In their time the group featured David Elieff, Paul Fanning, Adem K, Colin Reeves, Todd Griffiths, Dean Davies, Glenn Musto, Chris Havercroft, Andrew Powell and Jodie Bartlett.
This is their debut EP ‘Play lunch’ from the year 2000.
Showbag’s debut release, a twee pop sound with a lo-fi edge and melodic pop dynamics. Has a sound similar Belle and Sebastian with a hint of the interesing ideas of bands like Guided By Voices and Sparklehorse.
This is their 2002 EP ‘Never Get There’.
And here is a 2003 LP by them called ‘The Town We Loved In’. Writing credits on this are Glenn Musto (vocals, guitar, bass, keys), Jodie Barlett (vocals, percussion), Chris Havercrogt (drums, percussion), Adem Kerimofski (guitar, backing vocals, keys), Andrew Powell (bass, backing vocals).
One of the premier indie pop acts in Australia, Showbag! can best be described as a consistent enigma. Throughout their four year existence the band have released two EP’s and two inspiring singles all receiving great attention and worldwide airplay. In turn, Showbag have received such notoriety as winning the WA Music Industry Best Pop Act award, Austereo’s Unsigned Find and Triple J’s Next Wave.
Whilst transitioning through some line up changes the band now feature many of Perth’s finest musicians and have quickly proven themselves as a brilliant live act. With their sound slowly incorporating a somber heartfelt edge, they are now set to produce one of the most outstanding albums of our time. It’s the band’s wistfully woven tapestry of girl/guy lyrics, illustrating raw emotion that allows the listener to reach out and touch the realness of the songs. This places Showbag in their own distinct position in Australian music.
In December to March 2003 Showbag recorded their superb debut album The Town We Loved In. Set in the fictitious Australian town Perish Union, it tells 14 tales about life, heartbreak, happiness and sadness – centred around broken relationships deteriorating with the town. It’s Showbag in their finest form yet, dishing out lashings of melody and contrasts coupled with a bunch of lines that you wish you wrote in a letter to your first girlfriend. It features a re-working of the 2001 radio favourite How Much Would It Hurt their recent single Never Get There and the new radio single Perish Union where the combination male/female lead vocals put Showbag in a class of their own.
They also appear to have put out another EP which I don’t have and would be grateful for. It is called ‘Quicksand’.
I know very little about these guys but here’s a nice 5 tracker called ‘Employee Of The Month’.
Here we have 2 records from the wonderfully bizarre O! They have a bandcamp page up here.
O! was active in the Perth indi-rock scene from 1990 to 1997, part of Chapter Music’s early years. Members went on to play in bands such as Adam Said Galore, Mukaisake, Tucker B’s, Harry Smith, Umpire, 10 Bit Tonsil and Catherine Traicos and the Starry Night.
Their first LP was called Sporco and came out in 1994. Next up came ‘Morass of Shiny Cudgels’ in 1997. Click either covers to grab them both.
This is possibly the largest post this site will ever see and has taken years of work to compile.
Passionately committed to championing Western Australian music since 1987, WAM is the peak industry body responsible for supporting, nurturing and growing all forms, genres and levels of original contemporary music in WA.
WAM was originally formed as the Western Australian Rock Music Industry Association Inc. (WARMIA) in 1985, with its main aim to develop and run annual awards recognising achievements within the music industry in Western Australia. WAM first received project funding from the state government in 1989, and in the early 1990s the word “rock” was dropped from the title to give the organisation scope to take on a broader constituency.
And what a job they do! I’ve always been a fan of WAM and the great work they do for W.A music. Hats off to all involved throughout the years. From their annual awards shows, enormous amount of gigs they put on or help with, to sponsorship, to their work helping remote outback artists get recorded and heard, WAM and the people behind it has been a fairly integral part of the WA music scene for a very long time.
Since 1997 they have released a compilation CD that showcases a great cross section of music from all parts of the state.
I’ve managed to collect most of them over time and felt it would be great if they could be shared online. I will update this post with artwork as I scan covers of each year. I have some of them done already. Some years had up to 3 audio CD’s and a DVD. I have not included the DVD’s due to their sheer size, just the music. Click the year or the artwork to download a zip file of the music. You will more than likely need to do this from a computer due to their size. Enjoy!
1999 – artwork to follow
2002 – artwork to follow
2004 – A very concise version of the WAM CD this year. 1 CD only, called ‘The WAM Weekender’.
2007 – artwork to follow
2011 (Discs 2/3 do not have artist names on the tracks. Grab the tracklist image below.)
2014 and onward……soon to come!
I don’t know what to say about this so I’m putting it here in a hope of inciting some discussion. A bit before my time really. This was emailed in. Thanks John!
A few thoughts about the beginning of punk in W.A, by John Hondros.
Bilbo played together from 1969 – 1971. They were regulars at dances and
an occasional pub but never really broke through as their “punk” sound
and long extemporisations had yet to find a musical home. The band
consisted of Paul Blackbee on guitar, Johnno Podmore drums and John
Hondros on bass. Ironically their biggest success came at their last
impromptu performance at the James St Art Tech “Rock it Out” dance
attended by the art and music fraternity of Perth at the end of 1971.
Paul Blackbee managed to talk the night’s lead band (Fatty Lumpkin) into
letting them hand over their instruments during a break and it went on
from there with nearly 20 minutes of solid “new wave” sound until the
guys from FL stepped in to end it. The crowd was not happy it ended and
FL were not happy to follow what they thought would be a disaster.
In a moment of ironic brilliance Paul Blackbee renamed the band (that up
until then had been Thrash for the previous 18 months or so) as Bilbo
(playing on Fatty Lumpkins use of a Tolkien name). The audience raged.
In the good old techy art way the crowd loved it but howled down the
lead band for ending Bilbo Baggins. It was one of those nights musos
spoke of for months. Anyway, Johnno Podmore went on and did some
drumming with the Troubadours and then many other NSW pub bands. Paul
Blackbee later joined the “Swinging Blue Jeans” playing sax, I believe.
John Hondros joined the small cohort of “singer songwriters” of the day
such as Christopher May (now deceased), Ross Ryan, Piers Partridge and
Keith MacDonald doing wine house gigs.
Have to say that Thrash (AKA Bilbo) was one of the best bands no one had
heard of except for other alternative musos of the day. This was the
real and forgotten beginning of a “new wave” of music before The
Scientists and it all happened on one Saturday night in late December 1971.
Hope this might add a small something to the picture.
Last week (07th Jan ’16) I was lucky enough to be invited onto the Siamese Dream show on RTRFM!
I co-hosted the show with Jesse Yuen and we had a great chat about this site, and played some of my favourite jams from the blog. Thanks to Jesse and all those who tuned in.
Here’s the audio.
Throughout the years of running this blog and collecting Perth music, I seem to have inadvertently ended up with some doubles (and triples) of some CD’s. I know physical media is oh-so-passé these days but here’s a list of some extra discs I am happy to let go to new homes. A fiver each seems fair? Let me know what you’re into and I’ll put them aside. I don’t live in Perth but I’ll be down a couple weeks and can work out somewhere for you to pick them up. Email firstname.lastname@example.org
All Washed Out
Capital City vs The Bangkok Lady Boys
Cinema Prague – Zasph!
Fluid Time Carnival
The Growl – Cleaver Lever
Gyroscope – Sound Shattering Sound
Hazel Bionic – The Princess May
Header – Sugarfix
The Homicides – Gimme Some More
Jebediah – Of Someday Shambles (2 copies)
Martian Radio (aka Wasted Youth)
No Flowers – Broken Head
No Flowers – One Day Closer
PC Thug – Warn The Others
Red Jezebel – Joyful Possibilities
Sodastream – Reservations
Team Jedi – Good Morning Last Night
Whitechapel – Image Over Content
Valvolux – Supercharger (currently spoken for)
WA Grade Perth Punk + HC Compilation
Wormfarm – You Betcha (2 copies)
WAMI 2008 and 2011
In the early 90s NFNWD struck up a musical partnership inspired by their high school musical heroes.
Deciding there was way too many band names starting with The, for a name they settled upon No Flowers No Wedding Dress. A line from the Bruce Springsteen song The River.
That musical partnership has seen out the 90s, been through some line up changes, spent a month touring Spain, lost the Wedding Dress part of its name, and has seen the band perform countless gigs and build an impressive catalogue of music and achievements.
While never officially splitting up the band has not played a gig since 2001. All members continue to play music in other projects.
Shaun Corlson: Vocal Guitar
Shaun Hoffmann: Drums Vocals
Nigel Parry: Guitar Vocals
Tim Keady: Bass Vocals
Todd Walker: Keyboards
Greg Butcher: Bass Vocals
Derek and Gary: Vibes
1996 EP ‘One Day Closer’. Click the cover to download.
1998 LP ‘Broken Head’. Click the cover to download.
Not much info on this one. A rockin’ 5 track EP from 1996. Cover art scan to come shortly.
Cam Brown – Guitar/Vocals
Danny Ross – Guitar/Vocals
Paul Ellery – Bass
Jarrod Opie – Drums
Recorded at Revolver Studios.
Never saw these guys play, any info would be great.
First post from this band. From their wiki :
Schvendes are a band of brothers and sisters from Perth, Western Australia. They write stories about murder, mayhem, love and loss upon a background of gentle Rhodes piano, pounding drums, screaming guitar, soaring cello and vocals, which have been described as both sweet and terrifying. With an emphasis on lyrics depicting small disasters and celebration of everyday existence, their music is a blend of country, dirty blues and rock.
The record I’ve uploaded is their LP ‘Sweet Talk Your Enemies.’ Breaking my own rules somewhat as they are still listed as being active, but this record just nudged 7 years old so I thought it would be nice to share it. There is a fantastic review of it by Dom Allessio here.
Click the cover artwork to download it.
Thanks to Troy for sending in these 2 records.
“Mountain Hope were Perth’s answer to Jane’s Addiction only better.
Ryan Grady – vocals
Troy Reany – bass
Dan Collins – drums
Geoff Sweeting – guitars
Chris Wood – violin/percussion”
Here is a write up by Adam Connors from the West Australian’s ‘Revue’ back in 1995. This talks about their last show.
Mountain Hope; Botticelli’s Angel
November 3, 1995
The ‘Botts’ have long held up Perth’s end of the more energetic live music available, their stand-alone and credible local reference to the funk metal genre has been with us for near on five years now.
It is funny to talk of a band with such longevity in terms of tightness, but on Friday night I finally saw Botticelli’s Angel pull it all together – the creative timing, the sudden pauses within songs, Barry’s ligament damage – into a coherent mosh in extremis.
The Botts motored through a range of largely new, faster songs replete with Brad Gill’s ‘Barry White’ backing vocals and Declan Barry’s maniacal pacing, as usual, stealing the attention. Big bass speakers became the gymnastic floorboards of Barry’s arena, his screaming runs through the crowd threatening to squash any indie kids busting to catch their last glimpse of Mountain Hope.
But the threat to life and limb was worth it, comrades. Mountain Hope put forth one of the best sets I have ever seen from a band in Perth … sorry, a band? A lot of people would agree t’was a religious experience with an undeniable mysticism abounding.
Commencing with Riverside and continuing do delve into their fantistic debut album (from 1993) A Toast to Absent Family, every individual element of Mountain Hope’s last hoorah was both spellbinding and infinitely saddening. Lead vocalist and spunky glove-wearer Ryan Grady’s comments before most songs of “this will be the last time you hear this live” cut home to everyone in the club.
Through stages of disrobing, Grady, forever the frontman, was astounding but never drew attention away from the meticulous, enveloping sound of the rest of the band, though guitarist Geoff Sweeting’s hiding in the shadows was a tad mysterious, maybe a touch sadder because of the occasion.
By the time My Madchen was played, the title track of the “hope to be released” second album, followed by a Misfits cover and finishing with Souls, eyes were wiped while the dancing slowed throughout the crowd.
Mountain Hope are a true loss to music, though this gig cemented their spot in people’s musical minds forever.
We have their 2 recordings for you to download, together in one zip. Their 1993 LP ‘A Toast To Absent Friends’ and the unreleased ‘My Madchen’. Click HERE for the music. You can also say hi to them on their Facebook page here.